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Ten years ago: 'A sprawling complex, the Boyana Studios are referred to as 'film city' by the local population. Now: For the last five years, the attendance has been reduced 4.2 times -- each moviegoer attended an average of nine movies in 1987, and only two in 1992.

* Or you may follow me, so in this part I used Adobe Audition 1.5 and ' GUIDE: Using Adobe Audition 1.5 or 2.0 to create 5.1 files' which I found here: by 'Steve (ursamtl)'. I used his workaound but I’m telling you, you just may need to open those 3 wav files in Audition and insert each of them in a Track so you’ll have 3 Tracks now open 'Multichannel Encoder Windows (CTRL+E)' and assign them to corresponding Pan (Panning Assignment) and convert it to multichannel WMA Lossless 5.1 channel 96kHz 24bit. 'I’d like to bring your attention to step 2 in the first part, where you have to chose the channel mode. Open DVD-A Explorer and look at your track’s properties. You should see somewhere 'Group 1 Channel Assignment' and 'Group 2 Channel Assignment'.

Make sure the settings in SurCode matches what DVD-A Explorer shows about your track. Also, in DVD-A Explorer, take a look at the fist track’s channel info.

Now take a look at the following tracks’. Does only the first track have channel info? That is because it is the only way to create gapless playback on a DVD-A (from what I can understand). Free terrain map. If your disc is this way, then you’ll have to merge all your MLPs together before decoding (under windows, copy /b track1.mlp+track2.mlp+track3.mlp+ should do the trick (it did for me)). Once that is done, decode your big merged MLP, merge the wavs with correct channel order and then you can proceed to split the wav in separate tracks, if you chose to. Sadly, I have not found any accurate way to do this. DVD-A explorer only reports track lengths to the nearest second.

If you have an exact CD copy, then you could try getting a CUE from the CD and applying it to your DVD-A wav rip. Personally, I did it by ear since the CD I had didn’t have the same timing.'

Minnetonka Audio’s SurCode for Dolby Digital Plus 5.1 Encoder Now Available for Adobe ® Creative Cloud Widely accepted Dolby encoder is the only one available f or Adobe Creative Cloud November 14, 2017 (Minnetonka, MN) Minnetonka Audio, a part of the TV Solutions Group of the Telos Alliance, today announced that its SurCode for Dolby Digital Plus 5.1 Encoder is now available for Adobe Creative Cloud. The tightly integrated plug-in provides Adobe Creative Cloud users with full encoding support for Dolby Digital and Dolby Digital Plus audio formats. The Dolby-licensed SurCode plug-in encodes up to six audio channels (5.1 surround, 2.0 stereo) into a Dolby Digital (AC-3) or Dolby Digital Plus (E-AC-3) file or mixed into a video container file such as MPEG2 or MP4. As Dolby-certified products, the encoded audio files from SurCode are compatible with all Dolby Digital and Dolby Digital Plus-branded software or hardware. Dolby Digital Plus is an advanced surround sound audio technology that's built into home theaters, smartphones, operating systems, and browsers.